Specificaties Vandoren altsaxofoon mondstukken

Modellen:
V5 en V5 jazz, traditonal- Standaard model van eboniet.
Geschikt voor alle klassieke en jazzmuzikanten.
Optimum-Voor de klassieke saxofoon.
Java-Deze mondstukken van eboniet vooral geschikt voor Jazz, soul
en funk.
Jumbo Java-Modern eboniet mondstuk. Heel populair. Klank
vergelijkbaar met dagt van een metalen mondstuk.
V16-Grote boring voor meer klank met een scherp randje.
Verkrijgbaar met medum kamer (M) en kleine kamer (S).
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model |
tipopening |
baanlengte |
Beschrijving |
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A95 |
280 |
L |
Java: The most open mouthpiece with this chamber. Very light reeds should be used. |
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Jumbo: The most open mouthpiece with this chamber. Very light reeds should be used. |
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A75 |
260 |
L |
Java: Offers the same qualities as more closed facings. Recommended with lighter reeds. |
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Jumbo: An open mouthpiece, with large and bright sound. |
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A55 |
247 |
L |
V5: The most open mouthpiece, its sound and colour are shaped by the player. |
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Java: Particularly rich dynamic range. |
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Jumbo: A perfect marriage of chamber and facing makes this mouthpiece "state of the art" ( fusion). |
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A45 |
220 |
ML |
V5: Offers the same qualities as the A35. Ideal for be-bop. |
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Java: Its balanced sound will satisfy the most demanding needs. |
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Jumbo: Particularly recommended for rock and fusion playing. |
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A35 |
206 |
ML |
V5: For classical music or jazz (Big Band & section work). |
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Java: A jazz mouthpiece with edge. |
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Jumbo: Very bright, with fine precision and control. |
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A7 |
204 |
ML |
V16: A small chamber designed for strong projection and accuracy in pitch, articulation, and timbre. A fine choice for a lead player. |
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A6 |
196 |
ML |
V16: A medium chamber designed for flexibility, (accuracy in pitch and articulation; the alternate choice in sound. |
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A5 |
188 |
ML |
V16: A good choice of sound, easy to control, recommended for Big Band. |
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A9 |
225 |
ML |
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A8 |
210 |
MS |
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A25 |
186 |
ML |
V5: Wider tip opening than A15 but same quality sound. |
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A20 |
186 |
ML |
V5: Especially designed to offer the musician the possibility of playing softer reeds without sacrificing sound quality. |
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A15 |
176 |
ML |
V5: Easy to play, the A15 is recommended by educators for students of classical music. |
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A27 |
165 |
MS |
V5: Designed for playing soft reeds with optimum tone color, especially in extended top range. Recommended for studying classical saxophone. |
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A28 |
163+ |
MS |
V5: An astoundingly pure tone. An evenness of sound in all registers from the low notes to the high. An incomparable richness of sound and an extensive range of colours. |
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A17 |
152 |
S |
V5: Noteworthy heir of the A27, it combines intonation and response to richness of sound with maximum dynamic range in all registers. |
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AL3 |
152 |
ML |
new |
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AL4 |
163+ |
MS |
new |
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